Blood Viktoria, the Ukrainian model and digital artist behind @blood_vi, brings her vision to life through gothic fashion, latex, and intricate cosplay. A graphic designer, gamer, and skateboarding enthusiast, she merges these worlds into a striking, creative expression that resonates with fans of alternative culture. Here, she shares insights into her unique aesthetic, gaming roots, and the transformative experiences that have shaped her artistic identity.
Absolutely! Games have become an inseparable part of my life and still are to this day. I grew up surrounded by games — my mom, dad, and brother all played. That had a big impact on me, both as a person and as a creative. Through gaming, I absorbed visual aesthetics and character design. Especially in the 2000s, game characters were more expressive and bold — it was captivating and thrilling to see. It made me want to replicate some of those looks, try them on myself. Nowadays, developers are more cautious, and most characters are created rather “bland.” It’s neither good nor bad — just one of the phases in the evolution of the industry.
She’s just incredible! BloodRayne had such a bold, charismatic heroine — strong, independent, with a tragic past and deep inner conflict. I’ve always been drawn to characters like that — not perfect, but layered, carrying pain, anger, and strength. She wasn’t just a “cool girl with weapons,” she was a real presence, full of energy and intensity. Characters like her are inspiring — they combine power, beauty, and darkness in a way that’s incredibly compelling.
It was a very difficult time — I had to leave my home, my loved ones, and my studies behind. For a long while, I stepped away from modeling because there were more urgent, basic things I had to take care of. In many ways, it felt like lost years. But at the same time, it was also the beginning of new opportunities and a different kind of growth.
Starting skateboarding without much experience was definitely intimidating, but it gave me a lot more confidence and helped me face my fears. It’s a kind of therapy for me. It also teaches persistence — even something as basic as an ollie is still hard for me, but I don’t let that stop me. I just keep trying.
It really depends, but most often it starts with a certain mood or emotion I want to express. Sometimes it’s a single image that sparks something — a texture, a color, a facial expression — and from there, the whole idea builds like a puzzle. Other times, it’s a story that slowly forms in my head, and the visuals come later. But I never force it — I let the idea come naturally, and then I shape it into something real.
Absolutely, I do feel a strong connection between them. Graphic design, modeling, and photography all revolve around composition, mood, and visual storytelling. When I’m modeling or planning a shoot, I naturally think like a designer — paying attention to colors, balance, and how everything fits together in the frame. And vice versa, my experience in front of the camera influences how I approach design — more intuitively, more emotionally. They may seem like different fields, but for me, they’re just different ways of speaking the same creative language.
Point-and-click adventures have this quiet magic. They don’t rush you — they let you explore, notice tiny details, and really feel the world around you. I love how stories unfold through objects and spaces, not just words. It’s like being inside a slow, beautiful dream you control — and that feeling always pulls me back.
At first, it was a quiet influence from a friend that led me to look deeper into the meat industry, animal testing, and the impact of our choices. Once I learned more, I felt the need to contribute in my own way — through a lacto-ovo vegetarian lifestyle, avoiding products tested on animals, and staying away from fur. Over time, this choice shaped not just my habits, but also how I see myself and the world. It brought more awareness, softness, and respect into my daily life.
I love long nails, but I’m not the most careful person — so this way, I minimize the risk of breaking them painfully. It’s a mix of style and practicality that works for me!
I’d love to collaborate with photographers from other countries, especially those who shoot models in latex or work in artistic, experimental styles. I’m also interested in working with brands that create latex or unique fashion pieces — like Killstar. I actually once did a lookbook shoot for them, thanks to one of the most amazing photographers I’ve worked with — @flexdreamscom.
